I was baptized the summer before my 9th-grade year. At a Wednesday night Bible study my best friend’s dad asked me if would accept Jesus as my Lord and Savior. I said yes. He led me in a prayer and then told me I needed to get baptized, so that’s what I did. That Sunday at the end of the worship service, I walked to the front and told a deacon what my friend’s dad said, and the next week I got dunked.
That was it, I thought. I’m a Christian now. But I was plagued by doubts for years. I was raised in church my whole life. Some of my earliest memories are of sitting in Sunday school at Oakwood Baptist Church in Lubbock, Texas, learning about Noah’s Ark from a silver-haired old lady and singing “Jesus Loves the Little Children”. Yet I had no idea what it really meant to be a Christian. I thought it was kinda like being Jewish; if your parents were Christian and if you believed in God, then that meant you were a Christian, too. I never doubted God’s existence or that Jesus died for my sins and rose again on the third day, but no one ever explained that that’s only Step 1.
At the very end of the New Testament gospel of Luke in the 24th chapter is
I love The Matrix. (The first movie, of course. The others not so much.) One of the best scenes of the movie was when Neo was sat down, plugged into the Matrix, and force-fed a lifetime’s worth of knowledge in a matter of hours, finally opening his eyes and saying to Morpheus, “I know kung fu.”
I’ve had the opportunity to see the new movie
My wife asked me what Donald Miller meant when he wrote that jazz music doesn’t resolve. I explained that unlike most music, jazz doesn’t follow a predefined formula. It doesn’t necessarily have a distinct beginning, middle, and end; it’s impromptu, meandering, and created from the soul. Most music is like a story with clearly defined elements of setting, character, conflict, and resolution. But jazz doesn’t always follow such guidelines. Still it can be just as beautiful and just as powerful, and it’s often more so.













