‘Blue Like Jazz’: Why it’s important
- April 17, 2012
- Books, Faith, Movies
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I’ve had the opportunity to see the new movie Blue Like Jazz twice now, once at a pre-release screening in March and again this past opening weekend. As anyone who’s followed me on Twitter or Facebook can attest, it’s pretty much been all I’ve talked about for the last month or so. I’ve tweeted, retweeted, and posted Facebook status updates galore. I’ve talked to friends, family members, and pastors at my church about it. I’ve blogged about it (multiple times). I even gave out Blue Like Jazz flyers and stickers at work. And my wife has been just as active, even going so far as to wear a promotional t-shirt for the movie for almost a week straight.
I want this movie to succeed, not just financially but succeed in getting the approval of Christians around the country. I want them to see what I did in it, what I saw in the book by Donald Miller, and what I’ve seen in other books he’s written. It’s important. But why?
My wife asked me what Donald Miller meant when he wrote that jazz music doesn’t resolve. I explained that unlike most music, jazz doesn’t follow a predefined formula. It doesn’t necessarily have a distinct beginning, middle, and end; it’s impromptu, meandering, and created from the soul. Most music is like a story with clearly defined elements of setting, character, conflict, and resolution. But jazz doesn’t always follow such guidelines. Still it can be just as beautiful and just as powerful, and it’s often more so.
















